Sorry, guys! During system maintenance, some functions like comment are unavailable.

miseryxcompany's manga / #3P(5)

Help Me, Teacher

Complete | Soorak | 2000 released

God he’s such a dumbass. Also I like this kind of dry, not-really-trying mundane type of comedy. * Tagged Dubcon cause Mr. Yoo’s favorite words are ‘stop’ and ‘no’ and frankly he seems like too much of a retard to ever consent to sex

Futouhen Sankakkei no Teiri

Complete | AGATA Ito | 2016 released

The surprise incest reveal oh my god this is gold.

Thirsty for Love

Complete | takaguchi satosumi | 2001 released

They’re all simultaneously attracted to the idea of each other holding Yuka and the idea of themselves— mainly Orie— as Yuka being held by one another. Yuka cherished all three of them, supposedly, and her love for each of them complicates their feelings for each other in the midst of her death. An interesting premise on paper, obscured by its unwillingness to let Yuka be more than a memory and limiting the boys’ memories of her to her body. Their sexual encounters with each other are all fueled by a desire to embrace Yuka again, Orie has this prolonged interest in how Yuka had been held by the other boys, Tatsumi has photos of each of them being intimate with her, Suguru fucks Orie in his jealous rage over his relationship with her, which is accompanied by images of Yuka appearing in Orie’s place. It actively makes Yuka’s impact on their lives seem uncompelling. We know next to nothing about her or the kind of relationship she had with each of the boys beyond that it was sexual, so we have no reason to recognize these things as borne of a deep connection to her because that’s not something we’re actually shown. A brief conflict faced by Orie is whether or not he was really in love with Yuka or if he just liked the sex, and you might expect for the story to recount some of Orie and Yuka’s more emotionally intimate experiences, but the realization of his feelings is instead marked by his need to cum inside of her. She is the crux of this manga and yet she dies in the first 3 chapters and is nothing but a sex symbol in the memories of who are supposed to be the lovers she left behind. Without exploring their relationships with Yuka beyond sexuality, their behavior following her death comes off as obsessive at best. It also suffers from not exploring the boys’ feelings for each other unrelated to Yuka. tl;dr — grief induced homoflexibility

The Inheritance of Aroma

Complete | NAKAMURA Asumiko | 2008 released

The scent of Rose perfume are the words through which Takezou and Shinobu communicate their desire for one another. It's often said that scents carry with them memories, pleasant or sinister. The flowery scent of the perfume- of those nights spent embracing eachother- stalk Takezou and Shinobu and remains a constant reminder of the shame of their feelings, their lies, their secrets, but also of their longing for eachothers heat. Vestiges of Takezou's touch linger in the scent of rose perfume and Shinobu finds himself wanting to be consumed by that feeling of his brothers embrace. And so, with that scent hanging from his clothes he meets his brother in the wine cellar and it guides their bodies together. In a way it becomes how they communicate their desire for eachother. They never use words to convey their feelings up until they are stripped bare and exposed at the end. From the angle of 'Inhertiance' it is the shame of leading promiscuous lives behind the veneer of class and civility that entangles Shinobu and Takezou in this web of lies. When their parents die the attendees whisper, "Naturally Shinobu will inherity the family business." Ushered into this world of buisiness and appearances, yet desiring something that cannot coexist with it. Takezou himself did not easily slot into the role of an adult. Though they never acknowledge their physical relationship, Takezou makes an effort to force Shinobu to be more mindful of his wife- and honest attempt to push him back into the role of a faithful husband. And through his suicide note we know Shinobu honestly wanted the same. For his wife to be enough, for the security of his lifestyle to get him by. But in the end he could not suppress his love for Takezou, his own brother, and the shame consumed him. Kaname, too, was born into this life. Groomed into the buisinessman he became. But he sees Takezou's feelings for his father and is enamored by the taboo of their dynamic and later finds himself leading a double life similar to his father. And you are not promised a happy ending. In fact, the manga maintains a pessimistic atmosphere. But in those final chapters, amidst the chaos is this sliver of hope for Takezou and Shinobu, regardless of if they really deserve it. And it is snatched away just as quickly.