I think it’s because the tragedy of it all feels less impactful since none of them have true agency in their feelings at this moment, and specifically I think the angle of them being toyed should’ve been juxtaposed often with Aphrodite and Eros as often as possible as the makers of these two’s doom. I’m sure that will come in later but the inner details do nothing for me. It’s such an easy route of Yandere with everything and then there not being any real character progression makes it a snore to chore through. Also Apollo is just so unappealing now, there was something interesting in the intentional, calculated ambivalence he held for Daphne that’s all been dulled in favor for something contrived. Oh well.
I think it’s because the tragedy of it all feels less impactful since none of them have true agency in their feelings at this moment, and specifically I think the angle of them being toyed should’ve been juxtaposed often with Aphrodite and Eros as often as possible as the makers of these two’s doom. I’m sure that will come in later but the inner details do nothing for me. It’s such an easy route of Yandere with everything and then there not being any real character progression makes it a snore to chore through. Also Apollo is just so unappealing now, there was something interesting in the intentional, calculated ambivalence he held for Daphne that’s all been dulled in favor for something contrived. Oh well.