I really feel bad for Director Hyeon-ho. He was such a sweet character toward the MC, and Minhyung killed him for no reason. I don’t like that he died — I genuinely felt for him.
Director Hyeon-ho is one of those side characters who quietly becomes the emotional backbone of the story. He treats the MC with genuine kindness without expecting anything in return, which makes him stand out in a manhwa filled with obsession, toxicity, and power plays.
His death feels unfair because it is meant to be unfair. It highlights how dangerous and unstable Minhyung is, and it reminds the reader that good people don’t always survive in dark, psychological narratives.
Hyeon-ho’s presence brought warmth, stability, and a glimpse of the healthy affection the MC deserved. Losing him creates a painful contrast — and that’s why readers end up caring about him so much.
I really feel bad for Director Hyeon-ho. He was such a sweet character toward the MC, and Minhyung killed him for no reason. I don’t like that he died — I genuinely felt for him.
Director Hyeon-ho is one of those side characters who quietly becomes the emotional backbone of the story. He treats the MC with genuine kindness without expecting anything in return, which makes him stand out in a manhwa filled with obsession, toxicity, and power plays.
His death feels unfair because it is meant to be unfair. It highlights how dangerous and unstable Minhyung is, and it reminds the reader that good people don’t always survive in dark, psychological narratives.
Hyeon-ho’s presence brought warmth, stability, and a glimpse of the healthy affection the MC deserved. Losing him creates a painful contrast — and that’s why readers end up caring about him so much.