Whenever I see stories with male leads/female leads being the ones who seemed to be the quietest/less flamboyant by standards, it always reminds me of how a certain artist defined love.
Truly, I believed it is how Julianne chose Cedric. Love isn’t simply just feeling the “spark” or “extreme”—ultimately, it will be the person who provides the sense of peace, the calmness that you’d want in times of chaos. The touch of warmth and home that you’d know you could always run to.
Just like the other sentiments here, I am thrown off about the setting of the story. The one who transmigrated in Lillianne’s body was around her early 20s already and the fact that she acknowledged the children’s feelings at the time (the crush thing) and continued to feed on it is odd. I get that she wants to protect Julianne but she should’ve known and understood what could potentially happen with her interactions with the children at the time. She did address that she might have “mentally regressed”, but that doesn’t cut it at all.
Sometimes, I wish that characters in transmigration stories realize that whoever they’re interacting with aren’t characters with cemented traits—the moment they’re in the story and the characters had started to show familiar traits (heavy emotions and whatnots), it’s already given that they would act like how humans are.
Overall, I’m glad that Freddie has returned in a (hopefully) healthy body without any pressure of a title or crown. Hurrah for Frederick!
Whenever I see stories with male leads/female leads being the ones who seemed to be the quietest/less flamboyant by standards, it always reminds me of how a certain artist defined love.
Truly, I believed it is how Julianne chose Cedric. Love isn’t simply just feeling the “spark” or “extreme”—ultimately, it will be the person who provides the sense of peace, the calmness that you’d want in times of chaos. The touch of warmth and home that you’d know you could always run to.
Just like the other sentiments here, I am thrown off about the setting of the story. The one who transmigrated in Lillianne’s body was around her early 20s already and the fact that she acknowledged the children’s feelings at the time (the crush thing) and continued to feed on it is odd. I get that she wants to protect Julianne but she should’ve known and understood what could potentially happen with her interactions with the children at the time. She did address that she might have “mentally regressed”, but that doesn’t cut it at all.
Sometimes, I wish that characters in transmigration stories realize that whoever they’re interacting with aren’t characters with cemented traits—the moment they’re in the story and the characters had started to show familiar traits (heavy emotions and whatnots), it’s already given that they would act like how humans are.
Overall, I’m glad that Freddie has returned in a (hopefully) healthy body without any pressure of a title or crown. Hurrah for Frederick!