Listening to Rachmaninov’s suite No.2 for 2 pianos (I-IV) and a non-pianist I can tell why Garam was Distressed. How do you even remember your own melody and not get caught up in the other pianist’s melody. Music is amazing…
Listening to Rachmaninov’s suite No.2 for 2 pianos (I-IV) and a non-pianist I can tell why Garam was Distressed. How do you even remember your own melody and not get caught up in the other pianist’s melody. Music is amazing…