Once again, sending fond regards to our transgender runaway princess. I love how she's mentioned so matter of factly with no jokes. She exists, she had a kid, and exactly how it all worked is her own damn business.
Don't mess with the puppy because he will break your kneecaps while his boyfriend watches with a big grin on his face.
Happy pride to Loretta and her inevitable trail of suitors, and congratulations to Melody for successfully escaping Loretta the Ladykiller's harem.
Good for Monaca for gaslight gatekeep girlbossing her way to the top of that shitty empire.
And then Lucy and Nox had a half dozen more children because they couldn't keep their damn hands off each other.
The End.
There's a lot of people here forgetting that same sex marriage was only legalized in the USA for all 50 states back in 2015, and that in South Korea - this work's country of origin - it is still illegal even now. So of course gay relationships in mainstream Korean works generally aren't text and are left to subtext. By insisting that the only legitimate queer representation is textual you are ignoring the possibility that the author intended the characters to be gay but chose to censor their work in order to find a wider audience. Moreover, in a world where heterosexuality is widely reinforced as the norm, by attempting to police other people's interpretation of the story you are perpetuating that bias. Let people have their damn ships. There's not enough queer joy in the world; let people find it in what speaks to them.
Tae-oh's dad's genes really said "my wife is perfect, take these moles and let her handle the rest."