Haoruchan's Topics (155)

I love how Yena and Myeong are so similar yet different.
1. While they may be actresses, but they don't have someone to actually love and to be actually loved.
- Ik Myeong's with the white guy but i still feel iffy about their relationship since the white guy seemed to be obsessed with yeon's image captured within his dead brother's photograph and Myeong was also just desperate to have someone to hold her. Yeah their relationship is progressing into an actual one but rn i'm just not 100% not convinced.
2. Both of their reasons to be actresses are because of someone else
- For now i can see that Myeong started to love acting as it is but initially she started to act because of her father anyways.

And yet, they're so different with how they treat their acting careers. Myeong learn to grow herself more....for herself. She learns more about herself and also acting skills by these arcs. While Yena grow herself only to spite Myeong, she doesn't add any intrinsic value to herself. That's why when her acting career's gone, there's nothing left of her.

Also about Yena's recent arc
At first i felt cathartic knowing Yena got her karma. But like at the same time, it felt so.....vain? It's like just because Myeong started to move on and Yena has now fulfilled her role as the villain in this arc, she should experience something bad just to make sure the villain won't have any chance to threaten Myeong's status quo. I mean yeah the author is currently doing good job in fleshing her final hurrah before we can move on to next arcs but like she could suffer by her past actions instead of just petty stuff like drink-and-drive (not underestimating the seriousness of the actual crime) but it just seemed so unrelated to her acting career, like acting is the core theme here. What if make her feel empty instead. Knowing Myeong could do on her own without feeling inferior to Yena would make her feel like "all this time i want to crush you especially with acting, the thing that you love. And now i can't even do it anymore?". Like make her feel like she doesn't even know why she act in the first place if she doesn't have any effect in Myeong and Director anymore. Like maybe she started to lose focus on her acting and somehow people also feel like Yena's not into it anymore and people stopped paying attention to her.. Like idkkkkk it's just i don't feel like drunk and drive is the correct punishment for her when there could be many more alternatives that could suit her more.

Disclaimer, I don't sympathize with her. it's just that i feel like if you want to flesh her out more as a character rather than plain villain, then at least make her departing from this story interesting

I just dont understand why the FL is not doing anything.....like for months too????

Ig the priest is purposefully using the plague to steal precious belongings from their bodies?? Like yk how people bury their beloved with some jewelries or such

New guy just speedrun the slow burn "will they or will they not" romance lol

Who is suirei again- what was her backstory-

Wait its ended already??? Noooo i love these characters so much and just like how the author wanted to open our horizon of forensic veterinary thru touma, i was really influenced and wanted to see more!! I particularly like the two main guys and how they're like me and my friend. Touma's like my friend who's seemingly friendly and ambitious but he's the more headstrong one out of us. I'm like Barato who seemingly well kept but i'm too emotional and sometimes i cried too much that it got things awkward. I'm gonna miss this series so much :"))) Hopefully this can get animated so i can relive my love towards the series thru it

Wait genuine question, i'm confused why people wants her to end up with the director? Not mad or anything but i find it intriguing.

Because me personally, i actually want them to have no romantic feelings involved whatsoever. Because i picture them to muses to each other just like the fabricated story of Myeong and Eunmil(?), that they are muses to each other too. Idk how to articulate it but aaaa please enlighten me, because rn it felt just wrong to me to see them in romantic light

I stopped reading this because the site i read this on crashed and i kinda forgot about it. Now i wanna pick this up again...i remember i was reading about the backstory of her cousin's parents, like it turns out her cousin's going to die soon because of his mother was the same i think(???). Does anyone know which chapter is that-

I love director cheon's arc the most because as myeong said, she finally feel like she gained something from her journey. Ofc the build up of her loneliness and loss of self esteem from previous arcs do help in who she is today. But idk the previous arc made her feel like she's getting swept up in all the things around her (which is realistic ofc because she only started to take this hard journey). But during this arc, i feel like she finally gains some autonomy of herself. Like finally i can feel like she's the main character of this story. Looking forward for more

Ines's mother sound like she would play victim while doing "i could be a good mother" tiktok trend

Like imagine reading a letter from a supposedly loving mother opened by
"Listen here u ungrateful wench...."
and then
"But i still love u nonetheless"

The classic love bombing tactic after u hurt ur child i see