Rejected by Jinnai, procurement manager Kijima is swept away by the designs of unknown newcomer, Ichikawa, even while he is dead set against the innocent man's growing infatuation. Ichikawa's resistance to having his designs showcased is rooted in a past marred by treachery and professional sabotage. Will Kijima overcome his own resistance in order to uncover Ichikawa's secrets and protect him? Or, having outed him in spite of Ichikawa's reservations, will he leave him to face his enemies alone?
Interior design company president, Sakaki, has his lusty homosexual eyes set on the very heterosexual, but vivacious and personable, Okada — who moderates and liases on behalf of the development corporation which has awarded contracts to Sakaki's firm, but Sakaki has no faith that sexual identity boundaries can be overcome with mere infatuations. Fortunately, Okada is more willing to step into the unknown. Brilliant use of realism by Hidaka Shouko.
Nishina, newly divorced, accidentally bumps into the high school lover he cruelly threw away, Miyama, at the café Miyama now runs, and all his longing is rekindled. The question is whether Miyama can ever forgive him. Full of flashbacks, this story is a realistic look at the difference a decade can make. Spin off to Arashi no Ato.
A beautifully drawn fairytale about creatures that must be controlled by a loved one or they become the ultimate destructive force. One of the last remaining manbeasts, Mao, meets Syon, a bounty hunter, while hunting for his brother, but will treachery keep them apart? This is a yaoi classic.
This prequel to Wild Fangs follows the story of man-beast Mao's brother, Kiri, and the man who manages to subjugate him. It goes into greater detail on the subject of war and Kiri's role in the conflict.
The origin story for the man-beasts, who fell to earth when chunks of the heaven worlds broke off ...
Natsume hides his depression by burying himself in work and overtime, but neglects his home. Touji is a cleaner at the company he hires to shovel out his apartment. On the pretext of losing his phone in Natsume's apartment, Touji handcuffs him to his couch, tells him he has had a premonition that they are meant to be together, and procedes to fellate him. Natsume is outraged, but after an electrifying start, Fujiyama Hyouta tones the story down to a more subtle mystery.
In this sequel to Akutai wa Toiki to Mazariau, we learn the tragic mystery in Touji's past which explains all, in terms of his strange behaviour toward Natsume and that of his cousin. A deeply tragic story involving murder, kidnapping, assault and rape, with the redemption of love to soften it at the end.
A sequel to Fujiyama Hyouta's Akutai wa Toiki to Mazariau and Akutai wa Ude no Naka de Futatabi, this series of comedy short stories will make no sense unless the reader works through the other two volumes first, which are decidedly NOT comedy. Akutai develops the story of Touji and Natsume — primarily how Touji's possessiveness and lack of tact keeps upsetting Natsume's applecarts.
Whirlwind romance between two strangers on a train with some complications thrown in by an ex-wife looking for additional divorce funding.
Kimi ga Koi ni Midareru