It's good

People will complain, they will about anything, but this is actually a very good plot. I don't really think there were any gaps. You don't need to beat the dead horse of details. We didn't need a bunch of chapters on minor details that in the end, don't really matter all that much. Everything that needs to be there is there.

Some of the art isn't properly finished, that's obvious enough, but it was terrible and at least they weren't using unaltered 3D body assets for the main group of characters like I've seen other manwhas do. So what if they forgot to color a foot or forgot to erase a few lines. The level of work that goes into making a manwha is a lot more than I think most people give them credit for. To me, these few artistic mistakes are little more than a typo that didn't get caught before publishing a book.

I really really appreciated that the monsters were actually creepy and dangerous. I absolutely loved that they didn't really hold back on the gore and horror of what a gate would be. This wasn't the fantasy that gates are in most other stories, it was legitimately catastrophe. Not just some destroyed buildings or out-of-sight-out-of-mind-inside-gates like most other guide verses. They didn't hold back with how terrible and bloody it was, and that's a risk most manwhas just don't take.

Wish there was more of the sex, but we also know why there isn't. Lots of frontage play which you barely glimpse in other manwhas. It is funny to me though that with as much gore as we see, the artist was extremely conservative with the sex and didn't let us see jack shit of the penatrative sex. What little bit of it there was.

My only lingering question after reading this is if the American nonamed's kids are normal human beings.