Spud's Topics (36)

People don't seem to realize that Ayeon is projecting onto So-i. She's looking down on and telling So-i not to look at Sol as a savior. However, who is the one who wants to get close to Sol because Sol fixes their problems?Who is the one who doesn't care about the other person's feelings? Who is the one acting out of their self interests? Ayeon is.

Not to mention Ayeon is horribly manipulative. Her observant nature allows her to act quickly. She took advantage of Sol's kind-heartedness and made Sol symathetic towards her. She's just as wealthy and privilaged as So-i, yet she purposefully brings up the conflict with her parents/family so Sol will feel bad for her. She doesn't respect Sol's wishes and sticks to Sol knowing that Sol can't refuse people. She makes suggestions in her favor, not necesarily what's best for Sol. Not to mention, she's so malicious!! The things she did to So-i only ended two years ago because So-i stopped going to school!

So-i has been changing as a person. She has been gaining more confidence and is trying to deal with her sensitivity through self reflection, therapy, and honesty with her friends. She was even willing to talk things out with her abuser for Sol's sake, whereas Ayeon doesn't care about what Sol actually wants. So-i also doesn't just hang out with Sol, and we can see her relationship with other people develop, like with Dayeon.

It can be frustrating reading some of the comments because this is a great story, but some people only talk about how two girls are definitely in love. I get it, shipping is fun. There were some scenes I was oooh-ing at. I was hopeful that Ayeon would try to change. But given the way the story is going, I think it might be better to cut off this relationship.

Also, there's so much to this story than just the relationships! What about the perception of art? The struggles of being a student? Finding one's self? Reconciliation? What it means to be a friend?

It's just annoying how there's so many aspects to this story but a good chunk of the comments just cares about shipping two girls. Since most interactions with Ayeon come from Sol's perspective, it seems like Ayeon's manipulation is working on some of the readers as well.

They can't make me hate you, Therion.

An absolutley engaging and provoking narrative masquerading as a love story. This isn't about two people from different worlds coming together, it's about people having to deal with the politics and trauma of generational war. The writing brings out the grey morality of the world and makes you think about how war leaves scars on everyone. Oh yeah, and the romance? That's the cherry on top, making this story so much better as we share the pain of many different characters trying to live in that place they call home.

After reading the notice, I also want to add: support the author if you can or if this story gets an official release.

In the very last panel, Taeman isn't smiling. The black and white scene parallels the colored one except for that one panel, possibly indicating that the reality others see and the reality Taeman lives is different. He might seem at peace, but something is broken inside.
It's a fantastic touch by the author/illustrator, and I wanted to applaud the idea to add monologue and break the parallel.

It makes me laugh how some people are shook about the positions for this couple. The author follows a certain pattern when it comes to her couples, and you can see it in her other works.
Personally, I like it a lot. Part of it is because her characters feel more alive and genuine to each other, and it introduces you to all kinds of couples. *My Way With You* stirred something in me, and ever since I've really enjoyed those kinds of couples.

Plus, for me, "position" doesn't really matter here. I like the characters, the mental strains and burdens, the emotional conflicts, and the premise; so if the author had switched the position or taken out sex altogether, I might've been a little disappointed but would've kept reading. This story is worth reading.

Ok, but tiny lizard? Absolutely adorable!

Chapter five was beautiful ... who doesn't like a good chase scene.

Huh, I think this may be the first time I've ever screamed out, "Fuck yeahh, Buddha!".

He's just really cool.

I thought this manga was going to be ridiculous, but I clearly didn't know what I was getting myself into. Without a doubt, a great read based on a whacky concept.

Whoever uploaded these newest chapters, thank you! I'm having a really fun time laughing over them. It's really nice to see what the squad has been up to and schenanigans they end up in.

Listen, this is an amazing manga. Not only does it have an interesting time-travel mechanic but it makes the reader feel true loss and victory throughout the series. I rode on an emotional rollercoaster while reading, and I loved watching where Takemichi's blunt determination would take him.

However, I cannot count how many times I've screamed at the screen, "Please, someone get an adult in here!" I understand that delinquent culture as been prevalent throughout recent Japanese history (70s?), and you have to really give a hand to the boys who managed to form unbreakable bonds and continued to support each other, but at the same time I couldn't help but want to punch some sense into these kids. It reminds me of the message behind Mob Psycho 100, where you can rely on the adults and people around you, where you don't have to struggle alone, and where you are an ordinary person no matter how extraordinary your abilities. I'm glad that Takemichi is somewhat of an adult and is here to try and mend the past, which is probably why he is a beacon for so many other characters, but even he can be short sighted and blinded by insecurities and fear. I love that he's presented with these character flaws, but it's starting to become repetitive. I'm looking forward to his growth both as a teen boy and as a young man.

Also, let's not get started on the fact that most of these kids we follow are middle schoolers. I was always thinking, yeah, no wonder micky has been teetering on the brink of darkness, he's a kid who's be given huge responsibilities and adult budens. I'm glad we have scenes of the kids enjoying themselves and having fun, but damn do they still have to deal with the pressures of territorial control, leadership responsibility, personal relationships, and heart-wrenching loss. The series is a good insight to the mechanics of gang culture and how young minds can be influenced by it.

As for now, considering the big reveal from the most recent chapters, I'm absolutely terrified as to how Takemichi will have to start thinking and planning to prevent future mistakes. Now he has less control over the events of the past, and it's possible that Naoto will not return. Despite these setbacks, I'm really glad Takemichi was able to stand his ground and has the support of the people around him. I wonder if that will change as well.