I haven't read yet, I js saw some pics..but are they Ash and Eiji?!
no they're not
It's insane how BWAT improve their artstyle with every manhwa
To readers,
I humbly accept the criticism that several scenes in Episode 1 contained disrespectful depictions of other cultures and people.
Even if the direction and themes of the story differ from what you may be concerned about, I have decided not to launch the work, as the fundamental limitations of this project's premise are clear.
I believe this situation has revealed my complacent attitude toward human rights sensitivity when handling a specific era and setting, and that my storytelling lacked sufficient care and nuance. I am deeply ashamed.
In my eagerness to focus on the characters, I failed to fully recognize that I was replicating problematic historical contexts and representational tropes found in past works.
I also deeply resonate with the criticism that the characterization in question was not something to be treated lightly within a genre.
What I had told myself was passion for the stories, I now recognize as arrogance. I was not as prepared or as careful as this story required me to be.
I apologize for any displeasure caused to you, and I will carry this reflection with me as I continue.
Sincerely, JAXX
Idk, I feel very uncomfy. Jaxx if you wanted add a black guy in your bl, you could have read some BWAT work.
Choose this historical frame is too risky. Even if the underlying reason is not racist..it is js too easy to create a plot framed from white pov, full of bias.
Oh Gosh, I have not felt so uncomfy since the first time I watched Super Lovers.
What is Byakya? It is Blossom of the Wight night or another bl?
It's Blossoms of the White night :3
I am going to read for the second time the first season to discover the second one.
Idk what to expect
My heart hurts. I love them, I love this bl so much.
I haven't felt this fond of a couple since Banana Fish
I don't want the side stories, cuz I don't want this story to ever end
Okay so this bl goes strict to my top 3.