Oreides's activites

I was really hoping this story would go in a different direction than what happened, especially in the latest chapter (raw). It’s quite disappointing. ngl

♡ stories I'd sell my soul for, just to read them for 
the first time again : 
- "Things that deserve to die" (korean novel adapted 
to manhwa)
- "This damned thirst for survival" (danmei)
- "Fate Makes No Mistakes" (manhwa)
- "Global Examination" (danmei adapted to manhua)


♡ sucker for plot heavy romance stories 
(つ✧ω✧)つ

♡ song on loop : 
Art deco instrumentals 

escapism 

 in case you're looking for ways to save your lists perhaps in an excel file, I've made a tutorial on how to do it easily and quickly rather than having to enter everything manually one by one, so if you'd like, you can check it out. 

https://docs.google.com/document/d/14Drj0CviUhrAmZlU-DC-AtxGFQoH1_PYQ81b2Vzu82w/edit?tab=t.0

Kinda regret reading this, should have waited a bit, ngl.
I don't usually write long comments under manhwa, but _Wet Sand_ left me with too many unresolved thoughts to stay quiet.

I have very mixed feelings about this story. A lot is implied. A lot happens off-screen. Interpretation is pushed heavily onto the reader. That's intentional, I know - but also very frustrating. No single reading is 'wrong' or 'right', but it's interesting how divided reactions are.

What stands out to me is the narrative imbalance.
The story invests heavily in Jo - his emotions, his normalcy, his closeness to YW. We experience their relationship in real time. We see YW relax, test, choose, enjoy. At times it genuinely feels like Jo could easily be read as the main character. So the question becomes: why this much focus?

At the same time, Jo is rarely held accountable. He brings a gun. He fires when he doesn't have to. He inserts himself into YW's life and makes emotional claims that border on ownership. He continues intimacy when YW is unconscious, and the narrative never fully addresses that boundary being crossed. YW will never know what happened in the tent. Yet Jo is still framed as recovery, safety, a 'green forest'.

TJ, on the other hand, exists mostly through outcome, not process. Readers see manipulation, lies, toxicity - but rarely the off-screen decisions or emotional burden behind them.
Was TJ perfect? Hell no.
But did YW survive because TJ existed? Yes.

TJ stayed when YW was at his lowest. That doesn't erase harm, but it complicates the idea that TJ 'ruined' YW's life. What's rarely discussed is that despite wanting YW close, TJ repeatedly respected YW's autonomy by not confessing, by holding back, by letting YW choose - even when that silence hurt both of them at some point.

So why introduce TJ at all, if his role is to be emptied out by the narrative?

The fandom split reflects this imbalance. Some see TJ as pure toxicity and Jo as healing. Others see Jo as shallow and TJ/YW as layered and tragic. Both readings exist because the story itself refuses to fully engage with consequences - especially for Jo.

And then there's YW.
He isn't passive. He withholds. He redirects. He avoids commitment. He survives. He could leave without Jo - that was always the plan. Jo didn't give him freedom; he became a variable in YW's choice.

So I'm left with questions rather than conclusions:
Why does Jo receive intimacy without accountability?
Why is TJ reduced to a narrative obstacle instead of a fully examined character?
Why does YW carry the emotional cost while others are absolved?
And how much imbalance are we supposed to accept before we stop calling it romance?

What bothers me most is that in all this imbalance, YW is the only one who consistently pays the price - while the narrative quietly moves on. At that point, this stops being about who YW ends up with, and starts being about which characters the story allows us to question, and which ones it shields from scrutiny.

Maybe the real question isn't whether TJ or Jo is 'better' for YW - but why the narrative asks us to excuse one character's harm while magnifying the other's.

Make a choice. Or don't. That might be the point.

08/01/2024: MGo was one of my safe spaces when I was struggling with mental health. The mangas/manhwas Ive read (and are still reading), and the people Ive met will always have a special place in my heart. I am all better now and I'm ready to pursue what life has ahead of me, and I think with that, I wont be active as much here anymore. I will still log in (very very) occasionally though to send recs and maybe respond to messages. THANK YOU EVERYONE! (✿◡‿◡)

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 ┊  ┊ ┊ ┊ ┊  ┊ ┊  ┊
 ┊  ┊ ┊ ┊ ┊' , +`✩ ┊  ┊
 ┊✫, ┊ ✩⋆ ┊ , ✫. • .  ⊹ ｡ : •┊
 ┊ : ｡  ┊• . ˚ ｡⋆     °  .  • ｡┊
 ┊⋆ ' ✯ ' ⊹                                   '.
 ˚                                       

       ╭            ╮

     are you bored yet?
           ʷᵃˡˡᵒʷˢ

   0:48  ━━━|────── 2:59

      ♡  l◁ II ▷l  ↺

       ╰            ╯


 Hello, Suujin here. Hmm you definitely
 should listen to this song whenever you
 just want to chill and float away ( ꈍᴗꈍ)

 You should also check out the amazing
 works of these mangakas!!
   ×  Hinako      ×  Ichikawa Kei
   ×  Sachimo   ×  Nagisa Furuya
   ×  Sakyou Aya ×  Tsutako Tsurusawa
   ×  Aiba Kyouko

 Lets be friends! Leave a message on
 my message board. And btw thanks for
 visiting my homepage~

:¨·.·¨:
 `·.  Have a great and blessed day!! ·․• '⊹


⋆. ⊹   ｡ .⊹. : ⋆.   .* :⋆. ⊹ ｡*
˚⊹' , ' ⋆ : ｡ ⊹ ' .  •  .✫  ⋆ ｡  .  ' ⋆ ✩. • :  .
 ' ｡   :    •   .  ✩   ｡   ⋆    .     •     .   ˚    ｡
_｡_ _ _ ｡ _ _ _ _ ｡_ _ ｡_ _ _ ｡ _ ｡_ _ _ ｡_

#hi 

A homeless bisexual single parent of 6 
(edit: now 5)
Divorce count: 4 
“Cancelled” count: 3 
I read a lot of gay sex. 
Women please don’t block me or I will injure myself!!!!
Last time I shaved my pubes: 6/7/2019

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The more I read this manhwa, the more I realize I’m not actually attached to Ian as a character. He’s indecisive, he runs away from his own emotions, and half the time he doesn’t even know what he wants. He walked away from TJ more than once, only to circle back when the loneliness hits or when he remembers what they used to be. At some point, it stops being romantic and starts becoming a pattern. And that’s fine, it’s realistic for someone who lived between trauma and longing but it also means I don’t put my heart in his hands.

The one who actually holds my interest is TJ.

And not because I desperately need Ian and TJ to be endgame (even though the chemistry between them is insane). my heart leans toward TJ not because I’m chasing an endgame, but because I appreciate him as he is. I don’t need him rewritten into a savior or sanitized into something softer. I like him flawed, loyal, stubborn, and painfully human. His presence adds depth to the entire story. a reminder that some people love fiercely but don’t know how to escape the world that shaped them. TJ is one of those rare characters who is impossibly loyal, unbelievably damaged, and painfully self-aware. He’s honest about who he is in a way Ian never manages to be. He doesn’t pretend he can leave the life he’s known just because love asks him to. He doesn’t sugarcoat his limitations. He doesn’t sell Ian dreams he can’t give.

TJ is tragic not because he’s broken, but because he understands himself too well.

That’s why I strangely love TJ as he is.
I want Ian×TJ, yes — the gravity between them is undeniable, the history is thick, the connection is carved into both of their bones but I also don’t want TJ rewritten into someone he’s not. His love is messy, rough, and honest. It’s not the fairytale kind, it’s the kind born from surviving things most people never come back from. And that truth adds a depth to their dynamic that no soft, peaceful relationship could replicate.

Meanwhile, Joe represents the usual narrative direction: the “healthy option,” the calm life, the symbolic future that healing stories tend to lean toward. And there’s nothing wrong with that it’s a valid path. But Ian’s scenes with Joe always feel… gentle, but hollow. Joe is a good person, he really is, but the chemistry isn’t explosive. It’s steady. Simple. Almost too normal for someone like Ian, who’s been shaped by violence his whole life. But that’s exactly why stories like this often steer the MC toward the “Joe” character because healing arcs usually choose comfort over fire, calm over chaos. Joe’s love is clean, safe, tender. But Ian doesn’t burn for him, he just tries to breathe around him.

Stories like this typically choose the Joe-type ending.
The quiet home after the storm.
The peaceful life instead of the familiar pain.

But here’s the truth I feel as a reader:
TJ and Ian have a connection that doesn’t care about “typical endings.” It’s soul-deep, wrong in all the right ways, and right in all the complicated ones. It’s the kind of relationship that isn’t easily replaced, even when the plot wants to push the MC toward a clean exit.

Still, even if Ian ends up choosing Joe or neither. I’m not here to beg for a specific ending. I’m here because this story is written with a maturity and emotional weight that makes every chapter feel alive. I’m here because TJ’s character is one of the most compelling pieces of this entire narrative. I’m here because the world feels real, the relationships feel lived-in, and the emotional conflict is too good to look away from.

If the author wants a symbolic ending, Joe is the obvious future.
If the author wants emotional truth, TJ is the one Ian keeps orbiting.
But if I’m being honest? It doesn’t even matter who Ian chooses because Ian can’t even choose himself half the time. Whatever direction Ian chooses, this story has already given me more than enough to feel. And that’s why I’m here.

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Don't want to reread but I assumed her parents were dead.....?