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17 people did / 2 want to do
HATEEEEE AGE GAPS W A MINOR IN IT...!!!! in ANY genre!!! like... i love mommies and daddios but in ROMANCE?!?!?! oh nah they always w minors
just read man with ghosts AGAIN and dammamamamamammm zoo wee mama the scenes get soooo hot!!!! now after reading the manhwa i realize i do NAWT want stoic MLs or smirky MLs that are the popular type rn (e.g. MLs in yaoi manhwas and booktok which is really just smutsloptok buttttt anyway)
PLS GIVE ME RECS OF ANYTHING, BL GL OR SL
has to be mature doe, of dynamics where the receiver is the one who is stoic like gitae is when in serin's body, OR where the giver is NOT STOIC, aka like gitae OR serin when in gitae's body.
btw i used giver and receiver bcs i dont have preferences for whether theyre dom or sub!!
i dont give a fuck what u label this story as---IT'S NOT PSYCHOLOGICAL. yes it contains dark elements and makes use of them---but in a completely USELESS WAY. the story does not present her assaults as things of trauma, things that are messed up, or things that are inhumane. SHES EVEN DRAWN TO LIKE IT. the narrative, the monologues, the dialogues---they don't show a shred of thought. IT'S HENTAI. there's no development or plot to be followed. theres no resounding message or call to action.
ITS PURE RAPE SLOP. it's simple whump and torture fetish!
the fuck is the author doing over here tryna be deep, tryna mislabel this hentai fuckslop as psychological? its such a fucking insult to masterpieces that have thought, heart, and messages put into them. and the fuck are the readers doing, accepting and PRAISING this half-assed bullshit as psychological?
this. is. not. psychological.
it's hentai. it's torture slop. say it for what it is.
u guys might not know this, but siegfried is a hero from germanic legends and his parents were siblings (like.. full on same mother same father--twins even)(/TДT)/ it just feels really weird and an oddly specific naming choice from the author because why tf is mayfield so fucking obsessed with her? its been 40 chaps and IM STILLLL hungry for inf because its not giving us anythingggggg
i think my main issue with this is the childishly stylistic proportions the artist gives the characters. right at the very beginning, chapter 1, the characters looked perfectly aligned with their supposed ages, yet after that, they began looking like children.
the primary problem lies with the fact that this issue somehow only applied to the two main characters. everyone else also looked stylized, but actually looked their proper ages. miss hillson, carol, the eustace couple, leona, kardel, and richard rusty.
somehow, mag and jack just looked like children the whole time, and it aways threw me off since they were the ones we were seeing most because they're the literal main characters.
like, no kidding, mag looked no older than twelve in her first few chapters after being rescued, and so did jack, albeit he looked more like he was in her early teens rather than preteens like mag.
after mag started getting cleaned and gained more confidence, she finally started looking older---like someone who was between the ages of 15 or 18. jack still remained visually childish when portrayed alone, but when beside Mag or other characters, he seemed proportionally his age. only his face and how it's structured depict him as a child.
it was only right around the end chapters that jack finally started looking a bit older. yes, even if he seemed to still be only 15-18, rather than his intended age ranged 19-23, but it was still an improvement.
regardless, the art more than made up for the childish appearances with the great storyboarding, paneling, and ethereal coloring. amazing storytelling by the art-thor.
Now it makes sense why kihoon was so ready to get down and bad AS the bottom during their first time even tho he was also a virgin lmaooo
348 people did / 15 want to do
and anytime you feel the pain... hey jude, refrain
so rushed, so unexplained, sooooo subpar.
it's trying so hard to be poetic and deep with the panels changing with every dialogue or monologue, but it all falls flat in the end because of the mid pacing.
i'll admit vionne is a very interesting character and probably the only one in the entire story with some substance, but the story is still severely lacking in foundation.
i thought that after the first few chapters, it would finally feel like a story AFTER the introductory or expository phase. instead, it still all felt like a walkthrough.
how are we, as readers, supposed to form attachments to the characters of the story when they have 10 bubbles max before there's time skip?
my biggest issue with this is the story is SPOON FED to the readers, especially by way of vionne overthinking the most simple and obvious things. then, when she finally figures it out, she's deemed as 'smart' even the direction of the story is frightfully predictable. i literally felt like a psychic the first few times. then, it started to get lame.
cheesy, too, with the story trying so hard to prop itself up as different from the other OI manhwas.
i also was reading the official translation, but even the story itself was fucked up and unorganized that i had to double back and check if i was reading the official translations.
so see how i said it was spoonfeeding readers? it spoonfed them the current, present happenings, but not THE STORY ITSELF. it leaves us guessing about the important details yet overcompensates with the most useless information.
i opened the comments expecting similar complains, so imagine my shock when i saw everyone praising it. perhaps this is another case of "pretty privilege" where it's glazed subconsciously because of the art, or perhaps i have grown too used to pieces with depth like Secret Lady.
:: why would you drop it at ch58
: such a foolish reason im afraid...
:: tell me!!
: YOU REALLY WANT TO KNOW? ITS BECAUSE SEONGWON DIED AT CH29 AND FROM CH59 THEREON HE'LL HAVE BEEN DEAD LONGER THAN HE WAS ALIVE AND I AM NOT READING PAST THAT IF THATS WHAT IT MEANS.
anyway hysterics aside, i had high, high, HIGH hope for this story. thankfully, i am not too disappointed as it truly isn't that bad, but it was far from being a revolutionary OI.
i genuinely expected this to be special. i mean... let's check the list:
1. korean historical era instead of inaccurate made-up western slop? check
2. mc is of low status instead of straight up marysue from birth? check
3. mc didn't have an abusive family in her past life or was an orphan all her life? check
4. mc had no prior knowledge if the reincarnation was either a story, a novel, or a game, or a transmigration even? check!
5. a bit of realism (in court) sprinkled in? check!
now, it had a good start. a solid start, even. but it started falling off when her mother died. yes, when her MOTHER died, not when her brother died.
her brother's death was almost unexpected, and i'm sure the story still could work even if he didn't die, but his death also helped the original story unfold. it's not an absolute necessity, but his death actually did something.
her mother's death on the other hand? i don't see much effect. there's no mourning or no mention of her. in 58 and backwards, there have been only two instances where she was mentioned. her MOTHER. her sister COME AGAIN!
but besides emotions, the pacing of the story started to become lame too. there was no clear goal in sight and no clear ending to pursue. it felt like we were running around in a goose chase, but we didn't HAVE a goose to chase in the first place, and if we did, it was something that randomly spawned as we were running.
sooo i want to talk about the deaths of her family and the "realism" the story tried to apply.
this is a transmigration story. see that? transmigration story. a transmigration story is just another way of the non-AO3 readers to write "fix-it." the fact that she transmigrated was supposed to be the start of a story of hope in a palace filled with dangerous vipers. i have no problem with the story adding deaths to feel more dangerous and more realistic, but it's simply annoying how for every other "dangerous incident", something or someone always comes to save the day, like some forebearing deus ex machina, but it seemingly disappeared when the crown prince and concubine yun were the ones who needed it.
it felt lazy and lame because it made the story seem like it was trying to prop itself up as a "unique" one from all the other OI. like it was trying to shove it in your face that "see? i'm different! i'm realistic because i kill my characters off, to add more trauma to the main character but my death has absolutely no weight in the story at all and neither will it occupy the main character's head except for making more angst because she has GONE THROUGH SO MUCH". it felt like it wanted it to be recognized as a serious manhwa, but it never really goes past that. especially with how the new chapters are dragging on with all these 'fluffy' side quests.
it makes the deaths seem like they were of no substance but to be emotional hinges for the mc to cry about every 50 chapters when the opportunity arises.
it would've been okay if, from there, the story started to slowly but steadily shift into something darker and more serious, or maybe even touch on other issues and topics that were accurate to the time period, but it never did anything like that.
the only historical drama story i've ever seen that was able to truly be a compelling story where the deaths, even the littlest ones, didn't feel meaningless was apothecary diaries, but i suppose i was expecting too much.
that aside, it's not a story that is all bad. it's good! just not something highly praise-worthy.
that's all, peace out. i'm never coming back unless crown prince or lady yun return.
why am i kicking my feet and giggling and slapping my bed at two children hugging and dancing omgggg im sooo over ε=ε=(ノ≧∇≦)ノ
This is so fucking annoying what if I just transported inside and killed everyone but them WHAT ARE U GUYS GONNA DO ABOUT IT HUH
boring -1
disgusting -1
annoying -1
stupid -1
braundead -1
this manhwa's full score out of ten? -100. Thanks.









